Shaina Vorspan


On Camera and Voice Over Talent


Gone Doggy Gone, Frank Scheck, The Hollywood Reporter
"There are still plenty of laughs along the way, many of them supplied by the hilarious turns by Vorspan as the emotionally fragile dognapper..." (
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Gone Doggy Gone, Scott Marks, San Diego Reader
"Shaina Vorspan, showing off a riotously cocksure comedic performance...Amanda Plummer? Gaby Hoffman? Maybe it’s the boomerang-shaped grin or the rooted presence that never finds her out of the moment, but there is something about Vorspan’s command of the frame that brought to mind this pair of heavyweights...We hope to hear much more from her in the future." 
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Gone Doggy Gone, Jennifer Oliver O'Connell,
"Jill, portrayed with polish and compassion by Shaina Vorspan, is beautifully (sometimes painfully) fleshed out." (
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Gone Doggy Gone, Brent Simon,
 "The diminutive and demure Vorspan who seems like she’s from a Todd Solondz film by way of the Farrelly brothers (or perhaps the other way around), is a real treat — cracked and vulnerable in a uniquely compelling way." (
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Gone Doggy Gone,
"Through the film you end up sympathizing with Jill, her character has a lot of personal struggles going on and Vorspan does a great job in the roll." (
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Gone Doggy Gone,
"I don’t know whether I’d want to be scared of Jill (she has a creepy quality about her) or give her a hug (you can tell she’s lonely and misunderstood). Jill is wonderfully portrayed by actress Shaina Vorspan." (
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JesusCat, Misty Layne,
 "...holy moly, is it good...Julia as Elle and Shaina as Charlotte are perfection, both equally hilarious in turn. They’re awkward and hysterical..."  (
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Medea, Pauline Adamek, LA Weekly:
Medea receives a “Go”-
“Travis Terry brilliantly directs a superb cast...Commenting in unison, the chorus of young girl, mother and grandmother double as asylum orderlies, with Shaina Vorspan giving an especially expressive performance.” (
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A Christmas Carol, Jackie Houchin,
“The lithesome Spirit of Christmas Past is played by Shaina Vorspan who brings an unexpected empathy to the otherwise sunny role.” 

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Moliere Plays Paris, Bill Raden, L.A. Weekly:
“Act 2's 'The Forced Marriage'…standouts include Vorspan…” (
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A Flea in Her Ear, Cynthia Citron, Santa Monica Daily Press:
“First of all, let me acknowledge that I am not a fan of French farce.  But if that format appeals to you, you won't find a finer rendition than that of the talented ensemble currently presenting Georges Feydeau's classic A Flea in Her Ear at the Knightsbridge Theatre in L.A.”

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Twenty-Two, Joel Elkins, LA Theatre Review:
“Well, if art is supposed to imitate life, Twenty-Two has accomplished its mission.  The characters are totally believable, the dialogue is as natural as it gets and the acting overall is amazingly realistic.” (
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Macbeezy, F. Kathleen Foley, L.A. Times:
“There's little not to love about Macbeezy at the Knightsbridge…All the actors are terrific and all are richly worthy of mention.”
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Video Press

Awards for ​JesusCat

  1. Managing Director
  2. Managing Director
  3. Managing Director
  4. Managing Director
  5. Managing Director
  6. Managing Director
  7. Managing Director

Awards for ​​Gone Doggy Gone